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These are poetry drafts. I consider all my poetry in a constant state of drafting, some with revision ongoing, others merely gathering dust. Some have been published but will still be considered drafts.

N.B. When these posts were imported I noticed some of my reblogs also got pulled in. It should be ovious from the contents that they are reblogs from other writers. I am in the process of removing those posts.

Dark Days (L.A.M.E)

Why then these dark days — now. The past
wore a whiter gown, the firm ground spoke
in softer tones then, hushed hues of no dawn
when once I dared to tread her path
towards a garden, safe — and secret.

Those days were not as these days are —
fragments of a past
becoming a future
unwanted.

Silence. Darkness. Dreams.

I crave winter. Snorting snow. Dreaming

— Manual Override: power

off still

of virtues lost
among
men
evanescent

.

Forgotten

I have no fear
of being forgotten; turn into mist
drifting
towards the memoryless. No past. No
garden to nurture. A future is a hope
I cannot sustain — solitude a menace
sans lipstick. I have no fear
of being forgotten — I am already

that.

Evidence…

“You claim to have in your possession recorded … evidence … from my initial assessment. I spoke with you then — what evidence, did I? I have no memories of, as you put it, committing … to life,” the old man said, then slowly rose from the congenial couch and staggered towards the warbling water cooler. “I am old, too old for all these … sentience shenanigans. Tired of … being tired. If life is not a certitude and merely a merciless way out I would very much like an audience with the Scribbler; there is substance needing scrutiny. I am not going back there. Not I. Never.”

The Truth is…

“The truth is —” she wheezed, “life’s not for everyone. There’ll be days when you’ll want to give it back, to return here, expecting to find peace in the comfort of the Scribbler. Muse on that brief motif, then seek at heart the answer needing your attention: you’re sure you’re ready — to commit?”

Lard – A Journey Up a Slippery Slope

I carry a liberated larder
on my back, an empty larder
it is not

>>>> a secret

but like a Jay it collects secrets — secrets
stored
for no one to see — only me
only mine
this burden of mine
like stockpiled swats seeking twilight targets
{
a lady’s fancy — that moth now departs
drawn towards another light;
}

I carry a larder, liberated
from the pressures of daily duties
offerings of open doors and otherwise
circumcised wormhole rules {dilly dallies}

<prostration; probation; cloudberry jam>

I carry a larder with me , , , , every , , , day
other toil
e
t

b
e
c
o
m
e
s

f
u
l
l

a

foil — for a lifelong search for meaning
up a slippery slope bent on mending
naught
of relevance — substance-less protuberances
in the void of one
still dreaming.

Pennies Perched Upon a … — (in search of Mirth)

I only have my words
[ — nailed
upon a whitewashed
wall
]
as evidence;
I only hold them high
once every blue moon.

{ — dishwasher-dreams of more — }}}}}}}}}}}}}}}}}

; tumbled dry —
moth ~ mother ~
madness ;

Our crown yields coin
in equivalence of 2p madness beyond our mind

tuppence

to penance

:666:

I only had my words —
but now I have

none

.

<monsters. madness. mirth>

I seek the words long lost. Substance. Mirth.

Mirth. I seek that which once were lost…

(mirth)

the endless world must end (but not by my hand)

I am changing. Morphing
into another — like life
turning cancerous
my path no longer stretches
much farther
. I have already walked
too far [ too far already! ]
to turn back
to turn my back

on you — you said
the endless world must end
but not by my hand

[ I do not
understand ]

I am changing. Mürphïng —

īntọ ạnȯṯhẹr kịṋď

ôf ṣȯmęòŋẹ [ I do not understand ]

Threads – No Thing

Insta tells me of so many ppl
wanting to follow
me
in text on “Threads”

Why?

What is a “thread”
but a stretched-out tumble

&

on Tumblr I exist
in text,
I exist
here
I am
here
by fear
rooted
among the corpses
of the fallen
seeking my presence
elsewhere
where
I am
no
thing.

The Song Displaced Lighthouses Sing When Noontime Gathers

The endless life ended
with a chuckle —
Death hung from a moist ceiling
like a bat in their mountain cave,
a rusty scythe floated midair,
chessboard & pieces scattered
around my naked feet —

You’re not ready, Daughter of Night.

And You, I see, still cannot play for keeps!

The endless life ended
with a chuckle —
Death disappeared seeking another
freshly minted tyro to rule —
ahead floated another doorway
left ajar and letting life flow
towards me, in waves of mirth
I had never tasted — so salty
the displaced lighthouse’s song,
yet I knew their words
meant my preservation
in this life
and every subsequent.

Untitled (11848)

behind-the-veil-of-sanity:

behind-the-veil-of-sanity:

Blurred Vision — A Remedy in One Act

The poet attempted an attribution,
in thought of love and praise
to the long and winding ways
of Medicine, but
addressing specifics — shivers
that arose without thought
like withdrawal
from nicotine sticks
or Absinthe – wormwood juice
lacked adhesion like old glue
left in limbo — only to portray
the poet a fool / addicted / frail;

addressing specifics — blurred vision
a general cause of concern &
the Cause of Concern for the poet
finding the general principles of sight
a bonus at their specific point in time:
the junction where tarmac ends
and gravel paths bind the journey’s end, blindness

avoided

— for now

by Dr Marvell and their
marvellous medical methods
aided by sharp surgical tools
making the cut
the ultrasound appliance
dissolving the opaque …
a silvery vacuum vortex
sucking up the dust
water
water
lots of water poured over the naked
unawares of what to come
unprotected
and by force held ajar
naked
unprotected
eye — the recipient
of the mint crystalline lens;

but the poet failed

to convey

in thought of love and praise
to the long and winding ways
of Medicine

as a single persistent utterance

interrupted

again and
again:

What if — it happens again.

But now, 24h on, the poet pictures the theatre,

in darkness, centerstage

on the theatre of mischief — a single giant eye

seeing nothing but blurred shadows;

a surgeon general wearing silverware:

sharp utensils / knives / fork / spoons

and a cleaning lady hoovering up

bits of old poet no longer needed

as the clown juggles stress balls —

an offering

taken.

The surgeon general dines on old eyes,

telling the poet he’s doing all right,

but the clown drops the ball

trying to keep the poet’s nerve

still — still a futile endeavour

on the second serving

of eye.

In the theatre of mischief

two eyes were consumed,

one poet entered

while another roamed alone

out of the nonemergency exit

into a world of bright light,

new possibilities in a world

with clear sight.

And on the third day

of their new life,

the poet sensed anew

an ardent awareness

of the true value of sight —

to look out any window

seeing the wind dance

in the grey mist

over flowing green meadows

in time

the mist might clear

and stars appear

like diamonds

apt a goddess’s neck

in time

the goddess herself

might reawaken

that which was once — dead.

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