Author name: Hayden Veil

In an earlier incarnation, Hayden Veil enjoyed a successful career in software engineering, writing late-night poetry in pursuit of sanity. On 2 February 2020, the world of Hayden Veil changed: Ghosts became real and with its soul laid bare there was no turning back from the perpetual path of poetry.

I Brand You Witch

I brand you witch / the iron rests in my gutted embers / in a fire of known origin / in a source of doubt and new beginnings / your skin once pure soon tarnished / our dreams of a seventh heaven scattered / collected mail & unposted airways / I brand you witch : wood worm and treeless

smakkabagms:

the crow’s canticle hollowing out the cruel dark wet grass of me
november hills are run with wolves, the orphanhood of a woman-body

I have hung the starry pelts above the flame, I have hunted my own otherness
Artemis-pale in the autumn woods, flaxen over cronelike cults of water

I have parted my lips where the moon meets with wine-red sea, froth
and annihilation; a thin blue thread I have parted and dispersed into nowhere’s illusion

to say the unsayable; the sad, child longing to be beautiful; the long dizzy
silk dream that is ever unreconciled – things I cannot admit to being mine

who I have been – or am – as myself: the one who holds her tongue
and waits for words to die

smakkabagms:

night’s dream stains a star-touched, blue feather
  near the silo of my gathered hand; her,

on the cloven hooves of dawn, ear stilled near
the pulsing raven plinth, neck or dandelion

howls rove the mist-thick woad, recalling
with the terror of flesh the wool of another

colors once loved, now colored dully elsewhere –
a poppy nodding a red-heavy head, lips languished

I pry mud-spangled fingertips over the indifferent
reign of tides, mimetic animals sloughing sideways where

night has emptied her entrails into the crook of my arm,
where I once held the sea, slipped from cerement’s scythe
                           
and moonborne dew; earthen, wax-drawn figure
I bring you to my hidden room and speak
this yellow nothing

smakkabagms:

I fear that I have perhaps ruined myself. That I have been quiet too long. That there is no more mystery, that there is only mystery. That, somewhere, on the final garden’s edge she stands at the heart’s thin-bled blades and I am lost between them. Unendurable, red-winged thicket, I become stone of eyes, slashed maw, the gape of searching statues. Outside, the oily hands of men assert themselves without a god. I am no better. I have been too different, small, estranged; a swallowed tongue among the maggots of having never really been. 

smakkabagms:

sad, dimensionless dream

mirror black, mirror night

mindless fish tread their 
sepal dragonscales
over swathes of water’s
membrane

I am
hunted again

not daring
to breathe

rivered here nor there my ghost
hands star-touched and eternal

with a childhood’s loneliness I 
scatter like so many 
    moths solitary blue
  & bewinged

remembering not so much of the furrow
but that yellow-coffin silence
like so much wheat lost and
rotting to war-gnawed fields

no, blanched bone
I have been soured by arrows

the stir of uncoiling sea-beasts
that clamor with cloven black feet
towards uncertain land

that was my own, once

before the bog-eyed kelpie 
maimed the sugared soul
and kept its tiny 
  shattered pieces  
belonging to shadow

language which sends ravens

through the wild fir: I cannot afford
your indifference

the cool touch
of your slack hand like
death in the earthen branches

like a lover I slip from the moon’s
cerement, I become instrument

figurative as wind, or roan wood-dreams
that are at once held and forgotten

can I or will I? unfix such
wounds again, my final belongings

the unendurable strangeness of
looking upon an earth too changed
and shaped by his hands bloodied
with violation

I will make it mine again, or let it
be nothing

so long as waking begets its own
monstrous silver, eos, as my own
garden
estranged

this is survival, and nothing more

the tending of this thin and dire thread
to which my whole life
now belongs

it no longer matters what these fields
had been but that they are, as I am

sundered open, emptied like the flesh beneath
the wicked hooks of a dawn-hot sun

whatever else it is
I cannot bear to say any more

The Dawn of Misconception

I can feel myself awaking. There are birds nearby, I think, but I find it hard to make out any specific sounds indicating their presence. There should be birds nearby, there should be bird song. I am alone in my parents’ cottage in the forest. I was dropped off yesterday by Grace, my mother, as my father Barry had his weekly Friday meeting at the club. It is my first time here alone, a trial my parents had called it on my eighteenth birthday a week earlier. At the time I saw it as a cheap present from someone who did not care, now I wonder if there was something more sinister behind their insistence that I should stay the weekend by myself. To get my bearings of being an adult, they had proposed, alone at their cottage in the forest. Forests have trees. Trees have birds. Birds sing, or should sing at this time of the day, I think. What time is it anyway, I try and open my eyes, but they remain firmly shut. Odd, I say but nothing is said, and nothing is heard. My lips do not part as instructed. But how am I going to brush my teeth if my lips do not part. I need to brush my teeth now, I think, as I always brush them in the morning and this is morning, I decide, without any evidence of the contrary.
             There is a knock on a door, or a window, there is no difference in my mind right now. Someone shouts ‘Harriet, are you there,’ and I shiver as I realise that they might be addressing me. I try to respond but no words are heard. My lips are not moving. I try to stand up, to swing my legs over the wooden bedframe but my limbs are not responding. I remain in my bed, stuck without knowing how. There is no pressure on my back, I think, so I must be hovering. I have never hovered before. This thought stays with me for some time.
             ‘Harriet!’ the voice much louder now. Closer. ‘Did you give her all of the instructions as we discussed,’ the voice now just outside the window.
            ‘Yes dear, both verbally and in writing, the checklist you made, remember?’ a calmer, lighter voice this time.
            I am right here. I am right here. Nothing. Silence. Darkness. Why am I still hovering here. Why is my mind not racing. I should be worried. I am always worried. Why am I so calm. Is this what it is like to be an adult, a grownup. Always calm. I can live with being an adult then.
            ‘Here’s a copy of the checklist. Look, it is all there in your “Everything needed to survive a weekend in the Cottage – by Barry Hoople”,’ the light voice said.
            ‘But there is a page missing, Grace. Where is the page about the ventilation for the gas heater? Where is the warning of carbon monoxide poisoning.’

slouch-tells-all:

I scurried down the unlit corridor. The lingering stench of his old memories and poorly wrapped-up thoughts grew with each corner I left behind. After an arduous climb covering what must have been at least a small pyramid I found myself facing a dead end. Not as dead as the rat in the corner, but … I turned to return the way I came only to find – another dead end. I sat down, exhausted and bewildered. So long a walk only to find: nothing, I had expected much more.

The scribbled note left in my cage days earlier had been vague, no proper signature other than the letter J. The words seemed more like utterings forced into the fabric of the parchment, more like a desire to convey a truth beyond the one mere mortals would expect to find in a message left … in a message… hidden. I had followed it’s direction to the letter and found the opening beneath the crypt. The unlit corridor had scared me at first but now, as I sat here wondering what to do next, I felt a peace inside. I felt I was on the way of discovery, of finding my truth.

Whoever this J is… they better not direct Slouch anywhere near the Tower of Turning…

Fading Feline

The Lady in White

bleeding gums and scissors
a handshake that never was

I LOVE YOU I sighed through rotting teeth

I kissed you goodnight as prayers echoed
through the graveyard of infinity

The Lady in White
my mistress in birth & shiverings

faded

Stained Glass Virgins

Oh Hollow Earth that calls me [

I walked the circumference of your
lips, wanting to taste the fullness of
your breath / your chest a mountain
I could never climb / lips on lips and
so we tried / I grasped and hooked
and
let it go
as a boy
drowning:
.
.
Oh Hollow Earth ]
//
+++((((((((((((((((((((((((((((((( scorned
//
— ))))))))))))))))))))))))))))))))) ashes

My lips wanting blood

and

stained glass virgins
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