Author name: Hayden Veil

In an earlier incarnation, Hayden Veil enjoyed a successful career in software engineering, writing late-night poetry in pursuit of sanity. On 2 February 2020, the world of Hayden Veil changed: Ghosts became real and with its soul laid bare there was no turning back from the perpetual path of poetry.

Scissors or surgical knife my tools
to rid this world of Santaโ€™s curse:
nesting, wanting, urging to become
like a pale beard of polar bear,
the Brow contemplates its fate
as I assassinate the sign
of ageing.

Shadows

You asked for a kiss, a kiss
on the cheek as I left; you asked
โ€“ I gave โ€“
but you never reciprocated,
left me wanting, wishing
there was more to be, to be had,
to be needed, yes needed. You
asked for a kiss so we kissed
and we parted like we never knew
any better. You asked for kiss
from me, yes me, but I still wonder
why, as my lips grow dry and my hair
thins and slowly greys, as I slowly fade
into your shadows.

There is sunshine
Outside I scroll and scroll
Feeling nothing
But a premature birth
Of hay
Of fever
Twins of undesired longing
To scroll and feel
Its burning rays
Of wonder

There is sunshine outside
Her scrolls hidden
Beyond my void another nothing
Her birth called forth attention
Of the gods
Of the mortals
Twice her lifelong longing failed
To feel
My burning hands
In wonder

There is sunshine
Hidden outside life and death
Beyond our nothing
Of infinite births
From their rolling in the gods own hay
To our mortal and feverish lust
Our ultimate longing to join them
To feel
That burning desire
Of rays touching us โ€“ a wonder

No Longer in Circulation

Her time was circular, returning once
every day, every week, every โ€ฆ
every bleeding hopeless dream

in agony. Never free, never free
from the crimson curse. Like
stickers slowly stuck on to trace

her youthful years; another year
another calendar, another slow
forced feature of her cultural heritage;

another calendar empty until not,
and so her power grew, to wobble
then wilt, to scream and scream

until the deaf no longer cared a whit.
She said as much to me, but I โ€“
I only remember her first bleed.

Her time was circular, returning once
every day, every week the same
monotonous speak, a wall

of silence, peering eyes unmet
and the timid times
around gathered wood:

the circular table of taciturnity,
food fed to pigs in blankets
but snorting silenced

by wordless stares; worthless care
shaped her, men in white coats
caught her and flashing lights,

the red and the black, brought her
to needles: away away
please let me stay,

I remember her say.

Her time was circular, returning once
every day to the same place,
the same space,

of needless suffering, facing only
herself: reflections in a round mirror,
split hair and pale nails my lasting memory

of her.

Thoughts crest the blue waves
Foamless peaks of ecstasy
Drop and dim in hastily decent
Red bricks await

I am old enough to remember when portable personal tape recorders were forbidden at concerts, bags were searched. Now? You get full concerts on YouTube in 4K with HDR and fantastic sound (must be stereo at least!) and recorded on a phone. Oh, how times change.

The third-person narrator hid in the gutter of the content page; it had been a rough day, trying to โ€ฆ

Like Magic Moons

You slithering snake, tongue forked
And spitting,
My air guitar needs no tuning
Or tissues,
Our songs are screams at night;
Hollow yet bright
Like magic moons
Or Gouda.

Drought

Love? No. Thereโ€™s none left, dry
the well once sparkling, dry
the tired eye yet searching, dry
the silent throat still burning, dry
the desert of dreams: mirages
no longer skim afar,
burning bushes wither,
the whispers of night
turned cold.
Love? No, the torrent times are over,
the flower blooms
no more.

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